Whaleboy:
But when critiqueing an artist, don't you also critique the idea or thing that inspired the work as well as the work itself? You critique a Picasso painting on its own grounds AND that which it attempted to represent... why did Picasso choose this idea/thing? was it a good one to choose? did he fulfill the idea's/thing's unconcealment or portrayal that is the work?
Picasso may be a hard example what with him being a cubist but take Da Vinci's Mona Lisa... not only do you judge the actual work itself but also the thing from which the work was derived. If Da Vinci chose to paint a woman from the start and not himself... if Da Vinci painted another woman with different characteristics... if Da Vinci chose to not portray the Mona Lisa with her grin... all these are pre-work things from which a different work could have been derived.
Those pre-work things are the emotions to the logical position that is the work. Why would a thourough art criticism include a question of "Why this work this way?" while intellectual debate does not?
It's like questioning the means by which a player joins a football team with a view to seeing which team is better. The only way to tell which team is better is to let them play!
Picasso may be a hard example what with him being a cubist but take Da Vinci's Mona Lisa... not only do you judge the actual work itself but also the thing from which the work was derived. If Da Vinci chose to paint a woman from the start and not himself... if Da Vinci painted another woman with different characteristics... if Da Vinci chose to not portray the Mona Lisa with her grin... all these are pre-work things from which a different work could have been derived.
Those pre-work things are the emotions to the logical position that is the work. Why would a thourough art criticism include a question of "Why this work this way?" while intellectual debate does not?
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