[QUOTE] Originally posted by MosesPresley
There are certainly female nudes before modern times. I suppose their features varied somewhat over time, but there were certain commonalities.
youth is a time of health and strength. Of maximum physical ability, if you will.
I can think of few things more humane than a Calder mobile.
I also think the assault on modern architecture is a tad overdone. And any "pretty" public sculpture can be used to augment architecture.
Is David the truth? Or an ideal?
And i would suggest that people who want their definitions of beauty and sexuality challenged can go to a museum or gallery for that. Someone in a public square has the challeng thrown at them, like it or not. Again, that gets to the role of public sculpture - to express SHARED values. The problem becomes when artists, and public authorities, use public art to challenge and subvert peoples values (quite apart from whether you or I like those established values) If we dont have any shared values any more (which is quite possible) then using public art decoratively may be the best we can hope for.
Camille Paglia in Sexual Persona says the Greek ideal of beauty was homoerotic. They idealized the beautiful boy. This concept carried over into the Renaissance and into contemporary advertising. We now have the ideal of the beautiful girl. I suppose this is due to the liberation of women. Maybe someone can help me out with this one.
There are certainly female nudes before modern times. I suppose their features varied somewhat over time, but there were certain commonalities.
Welll-formed sexually appealing youths are the accepted cultural definition of human beauty. Ugliness begins when form departs from the youthful ideal.
youth is a time of health and strength. Of maximum physical ability, if you will.
I think abstract art ultimately failed, because of its inherent lack of humanity.
I can think of few things more humane than a Calder mobile.
Over time it became little more than pretty designs used to augment dehumanized architectures.
I also think the assault on modern architecture is a tad overdone. And any "pretty" public sculpture can be used to augment architecture.
I saw a woman on Jeopardy last night. She appeared ugly to me, but that was because of she had a Monica Lewinsky hairdo and was wearing a bizarre short-sleeved military styled blouse complete with epaulets. I am sure with a different hair-do and outfit; she would appear much more attractive.
This is why artists use nude subjects. Fashion is of the moment and confuses the issue. Nudity shows the truth. Past fashions become absurd by contemporary standards. Can you imagine Michelangelo’s David with a pair of pantaloons?
This is why artists use nude subjects. Fashion is of the moment and confuses the issue. Nudity shows the truth. Past fashions become absurd by contemporary standards. Can you imagine Michelangelo’s David with a pair of pantaloons?
I do not think it is so much about disability as it is about the sexual acceptance of the disabled. This sculpture challenges accepted definitions of beauty and sexuality.
And i would suggest that people who want their definitions of beauty and sexuality challenged can go to a museum or gallery for that. Someone in a public square has the challeng thrown at them, like it or not. Again, that gets to the role of public sculpture - to express SHARED values. The problem becomes when artists, and public authorities, use public art to challenge and subvert peoples values (quite apart from whether you or I like those established values) If we dont have any shared values any more (which is quite possible) then using public art decoratively may be the best we can hope for.
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