I'm gonna give a
to my favorite sub-genre, space opera. I enjoy nothing more than the titanic struggles undertaken by interstellar empires, whether the events take place on a small scale (much of Fire in the Deep) or on an intergalactic level (Stephen Baxter.)
Currently my favorite space opera writer is Peter F. Hamilton. While his ending to his first big story was a let down, he has been creative enough to create not one but three separate self-contained Universes: the Night's Dawn universe, the Fallen Dragon worlds, and the Commonwealth of Pandora's Star. All of them rest upon different physical and economic assumptions about space travel, and all of them work.
His biggest issue is writing himself into a corner, getting his protagonists so over their heads that they can do nothing but lose. How he resolves this difficulty has not been popular.
Iain M. Banks is always readable, but he's a little too esoteric at times - I just want to say into some pages "Yes, you're smart and you have a way with words. Can't you just tell the story now?"
I've never gotten into Ken MacLeod. I've read two of his books (Cosmonaut Keep and another), but for the life of me I can't tell you what they were about (CK was about a female space ship captain who... something about genocide?)
And they're getting up there in years, but I have to give a shout out to S.R. Donaldsons Gap series, a densely plotted and, at times, painful series to read. Donaldson is not to everyones taste (I'm convinced the man needs somebody to talk to, at the least), but if you can handle it, you will find a very rewarding experience as this little nothing of a story about a space pirate who kidnaps and rapes a young girl turns into an epic upon which rests the fates of civilizations.
![thumbs-up](https://apolyton.net/core/images/smilies/thumbs-up.gif)
Currently my favorite space opera writer is Peter F. Hamilton. While his ending to his first big story was a let down, he has been creative enough to create not one but three separate self-contained Universes: the Night's Dawn universe, the Fallen Dragon worlds, and the Commonwealth of Pandora's Star. All of them rest upon different physical and economic assumptions about space travel, and all of them work.
His biggest issue is writing himself into a corner, getting his protagonists so over their heads that they can do nothing but lose. How he resolves this difficulty has not been popular.
Iain M. Banks is always readable, but he's a little too esoteric at times - I just want to say into some pages "Yes, you're smart and you have a way with words. Can't you just tell the story now?"
I've never gotten into Ken MacLeod. I've read two of his books (Cosmonaut Keep and another), but for the life of me I can't tell you what they were about (CK was about a female space ship captain who... something about genocide?)
And they're getting up there in years, but I have to give a shout out to S.R. Donaldsons Gap series, a densely plotted and, at times, painful series to read. Donaldson is not to everyones taste (I'm convinced the man needs somebody to talk to, at the least), but if you can handle it, you will find a very rewarding experience as this little nothing of a story about a space pirate who kidnaps and rapes a young girl turns into an epic upon which rests the fates of civilizations.
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