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What advice would you give someone naive in the ways of Classical music? I know composers, but is there a beginner's guide that suggests good conductors and bands?
Originally posted by St Leo
What advice would you give someone naive in the ways of Classical music? I know composers, but is there a beginner's guide that suggests good conductors and bands?
I don't think my 73+ year old father is naive about Classical music, but he is naive about MP3's, downloading, and the rest.
Buy the CD, then rip the CD to mp3. Or rip those CDs he's already got. Lots of great classical music ends up in the bargain bin, particularly in stores that cater to a younger crowd. Their customers aren't looking for classical, so they end up just looking to dump classical CDs to get them off the shelves.
CBS Records/Sony came out with a series of recordings called Great Performances that was pretty good, I have a bunch. If you can't decide I generally went with George Szell as the director if I could find one for the peice I wanted.
Originally posted by St Leo
What advice would you give someone naive in the ways of Classical music? I know composers, but is there a beginner's guide that suggests good conductors and bands?
My child, I could tutor you so much.
Lesson one... there are no classical "bands." Orchestras or ensembles.
Starting with good conductors is like learning to walk before learning to crawl. Start with isolating the composers/genres that you find most interesting and go from there. Besides, every conductor is great in some things but not so great in others. You'll never get better Beethoven than Furtwangler, but god help you if you get his Mozart.
Personally, I think a ground-up approach is best, because you get a real sense of how music evolved over the centuries. So start with some baroque music (or even renaissance if you're adventurous) and go forward. General path for non-operatic music:
J.S. Bach - anything he wrote, really. But start with his keyboard music such as the Well-Tempered Clavier, Anna Magdelena and organ pieces. Brandenburg Concertos next, then delve into the sacred works, esp. St. Matthew Passion and the monumental B Minor Mass.
Handel - The Messiah is his claim to fame, but select orchestral works are good as well. Esp. Royal Fireworks.
Vivaldi - Four Seasons, and really that's all you need bother with.
Haydn - select symphonies (he wrote 104). The Toy Symphony, Surprise Symphony and Farewell Symphony are highlights. His string quartets are also spiffy.
Mozart - I think you can buy the complete works of Mozart on a set of 122 discs for about $1200. That gives you an idea how big they are. But start with the basics-- Eine Kleine Nachtmusik, Elvira Madigan, Symphonies 39, 40, 41, the Requiem mass, Coronation Mass.
Beethoven - The symphonies are the core of his work, and while I think there's no good reason not to have a complete set, if you must be choosy, pick the odds and do 3,5,7 & 9. 8, 6 and 4 after that. 1&2 are good, but just not as special. Other works include Moonlight Sonata, Emperor concerto, select overtures (Egmont, King Stephen), Fur Elise, Pathetique and string quartets. Beware the late string quartets--not for the faint of heart. Missa Solemnis is his best sacred work.
Mendelssohn - Midsummer Night's Dream, violin concerto
Schubert - Symphonies 8&9, Trout Quintet, and you must try some of his song cycles (Die Wintereisse being the obvious first pick). Stand alone songs: An Die Musik, Die Erlkonig (esp. w/ Elizabeth Schwartzkopf singing it).
Chopin - a whole heap of etudes, polonaises and other piano works.
Liszt - Hungarian Rhapsodies, Faust Symphony, Totentanz
Berlioz - Symphony Fantastique, Requiem (a bit on the bombastic side for my tastes)
Schumann - Symphonies 2&4, Carnivale
Saint-Sains - Symphony No. 3 ("Organ"), Carnival of the Animals, Danse Macabre
Bruckner (dangerous territority) - the huge Te Deum (hehe, or "Tedium") is dense and ponderous, like much of Bruckner. Most of his symphonies should probably be avoided, but there are two gems worth having: No. 4 and No. 8. The latter is probably his greatest work.
Brahms - Any of Brahms' chamber works are masterpieces, but solo piano works op. 117, 118, & 119, string quartet no. 1, piano quintet in F minor, clarinet quintet, string sextet. Orchestral works include all four symphonies (nos. 1 & 4 being indispensable), Academic Festival Overture, Tragic Overture (too brittle for some), the Serenades and Variations on a Theme by Haydn (finest orchestral variations ever written). Hungarian Dances are available either solo piano or orchestral. Brahms also wrote a ton of madrigals, all fine, but perhaps his single greatest work is Ein Deutsches Requiem, the lone Protestant requiem mass in the repetoire.
Dvorak - Symphony No. 9 "New World," Slavonic Dances
Rimsky-Korsakov - Scheherazade, Russian Easter Festival Overture, Capriccio Espanol
Mussorgsky - Pictures at an Exhibition (the original piano version and the Ravel orchestration are both worthy), Night on Bald Mountain (the Rimsky orchestration and original version are so different that having both is good). Songs and Dances of Death (esp. sung by Martti Talvela or Boris Christoff).
Tchaikovsky - If one must have his works, fine... 1812 Overture is the warhorse, ballets like Serenade and Swan Lake (I loathe the Nutcracker, however). His symphonies aren't proper symphonies, but go ahead and check out Nos. 4 & 6.
Grieg - Peer Gynt Suite
Elgar - Enigma Variations, Violin Concerto
Sibelius - Finlandia, Symphonies 2 & 6
Rachmaninov - Piano concerto #2
Debussy - Sacred and Profane Dances, La Mer, Prelude to the Afternoon of a Faun
Ravel - String quartet in F. Bolero is for hacks.
Mahler - Not for the faint of heart, but not for the same reason as Bruckner. Mahler's music delves into the deepest of human emotions--it's not light music. Like Beethoven, the symphonies are the core: Nos. 1, 2, 5, 6 and 8 are the greatest, but you can't go wrong with any of them. Beyond that, Das Lied von der Erde and die Kindertotenlieder are mainstays.
R. Strauss - Don Juan, Also Sprach Zarathustra, Ein Heldenleben
Stravinsky - Rite of Spring, Petrouchka, Firebird.
Bartok - Concerto for Orchestra
Prokofiev - Romeo & Juliet ballet suite, symphonies 1 & 5, Peter & the Wolf
Resphigi - Pines of Rome
Copland - Appalachian Spring, Rodeo
Vaughan-Williams - Lark Descending, Fantasia/Thomas Tallis, Greensleeves, Symphony No. 4 in F minor (an angry, angry piece).
Britten - Young Person's Guide to the Orchestra, Chichester Psalms, War Requiem
Barber - Adagio for Strings
Holst - The Planets
Shostakovich - String quartet no. 8 in C minor, Symphony No. 5
That's a smattering of things to start with. There are some one-hit wonders I left out, but such pieces are usually famous enough to find on one's own.
Opera is a whole 'nuther category.
Last edited by Boris Godunov; February 15, 2005, 17:20.
Originally posted by Japher
CBS Records/Sony came out with a series of recordings called Great Performances that was pretty good, I have a bunch. If you can't decide I generally went with George Szell as the director if I could find one for the peice I wanted.
Szell headed up the Cleveland Orchestra and transformed it into a world-class ensemble. Still, I don't think his recordings are ideal for all things. In particular, the sound quality is often sub-par. His best recordings are the Brahms symphonies, Dvorak and a few of the Mahler symphonies (esp. No. 4).
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