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Miriam's Tuneful Theology Top Ten

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  • Miriam's Tuneful Theology Top Ten

    Baaba Maal: Call To Prayer

    Grace: Jeff Buckley

    10 000 Maniacs: Let the Mystery Be

    Iris DeMent: God May Forgive You But I Won't

    Sarah McLachlan: Angel

    Simple Minds: 20th Century Promised Land

    Richard H. Kirk: Martyrs of Palestine

    Jewel: Who Will Save Your Soul?

    Arvo Part/John Tavener: O Adonai

    The Breeders: Saints
    Vive la liberte. Noor Inayat Khan, Dachau.

    ...patriotism is not enough. I must have no hatred or bitterness towards anyone. Edith Cavell, 1915

  • #2
    Grace: Jeff Buckley
    Wasn't it meant to be
    Jeff Buckley: Grace ?

    Otherwise: cool list!
    -- What history has taught us is that people do not learn from history.
    -- Programming today is a race between software engineers striving to build bigger and better idiot-proof programs, and the Universe trying to produce bigger and better idiots. So far, the Universe is winning.

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    • #3
      How's about... uhm... forgot the exact title, but...

      The Monkees: I'm A Believer


      OK, so lyrics-wise it may not be entirely in line with the faction, but still.
      Last edited by WotanAnubis; February 9, 2005, 11:01.
      "I'm too young and too male to be the mother of a seventeen year old female me!"

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      • #4
        Re: Miriam's Tuneful Theology Top Ten

        Originally posted by molly bloom The Breeders: Saints
        Isn't Saints about going to the Faire/Carnival?
        "They’re lazy troublemakers, and they all carry weapons." - SMAC Manual, Page 59 Regarding Drones
        "Without music, life would be a mistake." -- Friedrich Nietzsche
        "If fascism came to America it would be on a program of Americanism." -- Huey Long
        "Voice or no voice, the people can always be brought to the bidding of the leaders. That is easy. All you have to do is tell them they are being attacked, and denounce the pacifists for lack of patriotism and exposing the country to greater danger. It works the same in any country." -- Hermann Goering

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        • #5
          Slayer: Angel of Death

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          • #6
            Don't know the original composer, but "Onward, Christian Solders" would seem to me to be a popular Mirriam choice.
            1st C3DG Term 7 Science Advisor 1st C3DG Term 8 Domestic Minister
            Templar Science Minister
            AI: I sure wish Jon would hurry up and complete his turn, he's been at it for over 1,200,000 milliseconds now.

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            • #7
              What about that tune from My Life in the Bush of Ghosts with the Lebanese Mountain Singer guy? I always loved that tune.
              He's got the Midas touch.
              But he touched it too much!
              Hey Goldmember, Hey Goldmember!

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              • #8
                Originally posted by Sikander
                What about that tune from My Life in the Bush of Ghosts with the Lebanese Mountain Singer guy? I always loved that tune.
                Dunya Yusin and 'Regiment' . The original album they sourced it from was called 'The Human Voice in the World of Islam' and I sold it for a packet a few years ago.

                Forgot: J. S. Bach's 'Ein Feste Burg ist Unser Gott' which is so Miriam.
                Vive la liberte. Noor Inayat Khan, Dachau.

                ...patriotism is not enough. I must have no hatred or bitterness towards anyone. Edith Cavell, 1915

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                • #9
                  Well, after conquering a city, "When the Saints go marching in"...
                  (mmh..on a second thought, maybe not, it's a little too happy)
                  "Too much ambition is a sin...only if you fail"
                  Yoritomo Kumiko

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                  • #10
                    Originally posted by molly bloom


                    Dunya Yusin and 'Regiment' . The original album they sourced it from was called 'The Human Voice in the World of Islam' and I sold it for a packet a few years ago.

                    Forgot: J. S. Bach's 'Ein Feste Burg ist Unser Gott' which is so Miriam.
                    Yea that's the one. Between the vocal and the bass it always got an audience response.
                    He's got the Midas touch.
                    But he touched it too much!
                    Hey Goldmember, Hey Goldmember!

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                    • #11
                      Originally posted by Sikander


                      Yea that's the one. Between the vocal and the bass it always got an audience response.
                      I remember reading an interview with Eno saying he was really pissed off, because reviewers kept saying what a great guitar solo there was on the song, little realizing it was Eno's synth playing.

                      Still, if you call yourself a non-musician long enough, people will take you at your word....
                      Vive la liberte. Noor Inayat Khan, Dachau.

                      ...patriotism is not enough. I must have no hatred or bitterness towards anyone. Edith Cavell, 1915

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                      • #12
                        Re: Miriam's Tuneful Theology Top Ten

                        Originally posted by molly bloom
                        10 000 Maniacs: Let the Mystery Be
                        I love that song, especially the live version from their swansong Los Angeles concert. Merchant's voice is so perfect.

                        Also tempted by Runrig's News From Heaven - oh, and by Steinman's Original Sin
                        "Love the earth and sun and animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown . . . reexamine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency" - Walt Whitman

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                        • #13
                          Originally posted by molly bloom


                          I remember reading an interview with Eno saying he was really pissed off, because reviewers kept saying what a great guitar solo there was on the song, little realizing it was Eno's synth playing.

                          Still, if you call yourself a non-musician long enough, people will take you at your word....
                          Well I suppose that a good part of his career was spent blurring the distinctions between the two instruments, but it does sound like a synth wheel more than a guitar to me. I always loved the wall of percussion and tremendous bass on that album throughout, it really made those solos powerful when they occurred.
                          He's got the Midas touch.
                          But he touched it too much!
                          Hey Goldmember, Hey Goldmember!

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