I love watching/reading the opinions of non-audio people on technical audio topics.
In terms of comparative market size, vinyl is dead. But there's a huge installed base of boomer turntables and record collections out there, owned by the largest generation of music consumers. Not all of whom are digital-ready. Plus there's the DJ and scratch community, which is really what saved the vinyl market in the early 90s. (Which I know because I worked for Shure, the world's largest maker of phono cartridges, at the time. If not for hip-hop DJs, they would have been discontinued.)
Over the past decade or so, some major artists would press a few thousand vinyl copies of their latest CD, partly for DJs, partly for collectors, partly for vanity. Lo and behold, in a world of file-sharing and declining sales, it became a way to sell more music, profitably (as opposed to the pathetic royalty on an iTunes download). So it became a thing. A minor thing.
So now vinyl playback is a niche market, sufficiently overpriced to be profitable, but with so little upside that it's unlikely to draw any serious investors. There's very little actual belief that vinyl is better than a lossless, hi-res digital file. And no one thinks physical objects will replace file-based systems. It's just people playing with their preferred, traditional toys - not unlike major league baseball using wooden bats despite the clear superiority of aluminum.
Ours is a pretty big world, and there's room for lots of weird stuff. This is just one of them.
In terms of comparative market size, vinyl is dead. But there's a huge installed base of boomer turntables and record collections out there, owned by the largest generation of music consumers. Not all of whom are digital-ready. Plus there's the DJ and scratch community, which is really what saved the vinyl market in the early 90s. (Which I know because I worked for Shure, the world's largest maker of phono cartridges, at the time. If not for hip-hop DJs, they would have been discontinued.)
Over the past decade or so, some major artists would press a few thousand vinyl copies of their latest CD, partly for DJs, partly for collectors, partly for vanity. Lo and behold, in a world of file-sharing and declining sales, it became a way to sell more music, profitably (as opposed to the pathetic royalty on an iTunes download). So it became a thing. A minor thing.
So now vinyl playback is a niche market, sufficiently overpriced to be profitable, but with so little upside that it's unlikely to draw any serious investors. There's very little actual belief that vinyl is better than a lossless, hi-res digital file. And no one thinks physical objects will replace file-based systems. It's just people playing with their preferred, traditional toys - not unlike major league baseball using wooden bats despite the clear superiority of aluminum.
Ours is a pretty big world, and there's room for lots of weird stuff. This is just one of them.
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