For God's sake let us sit upon the ground
And tell sad stories of the death of kings:
How some have been deposed, some slain in war,
Some haunted by the ghosts they have deposed,
Some poisoned by their wives, some sleeping killed,
All murdered.
Or as others saw it:
Allons ! Enfants de la Patrie !
Le jour de gloire est arrivé !
Contre nous de la tyrannie,
L'étendard sanglant est levé ! (Bis)
Entendez-vous dans les campagnes
Mugir ces féroces soldats ?
Ils viennent jusque dans vos bras
Égorger vos fils, vos compagnes.
Aux armes, citoyens !
Le jour de gloire est arrivé !
Contre nous de la tyrannie,
L'étendard sanglant est levé ! (Bis)
Entendez-vous dans les campagnes
Mugir ces féroces soldats ?
Ils viennent jusque dans vos bras
Égorger vos fils, vos compagnes.
Aux armes, citoyens !
The Royal Academy has an exhibition dedicated to the various types of portraits and paintings associated with the various revolutions that took place in Europe and the Americas from 1760-1830.
It's well worth a visit to see how newcomers to thrones rapidly adapted themselves to the business of iconography and propaganda, either in the service of the state or themselves- or both, in Napoleon's case.
There are some fascinating portraits of the unlovely rulers too...
Citizens and Kings: Portraits in the Age of Revolution, 1760—1830 examines the radical shift that occurred in portraiture, both painted and sculpted, in response to the Enlightenment and the revolutions in Europe and America.
It includes works by the great innovators of portraiture, David and Goya, as well as their contemporaries such as Reynolds, Gainsborough, Roslin, Mengs, Vigee Lebrun and Singleton Copley and their successors, including Ingres, Gros, Lawrence and Runge.
It includes works by the great innovators of portraiture, David and Goya, as well as their contemporaries such as Reynolds, Gainsborough, Roslin, Mengs, Vigee Lebrun and Singleton Copley and their successors, including Ingres, Gros, Lawrence and Runge.
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